Thursday, March 14, 2019

The King is Dead

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Rating: 4 Stars

Damn, that cover is gorgeous. I fully own my cover snobbery and freely admit to judging books by covers. But an aside, even if I think the cover is trash, if I am interested enough in the topic, I will still read it. Sometimes the content changes my opinion of the cover, sometimes it doesn't. Luckily there is no problem here, the cover if beautiful and the content was full engaging.

Dr Lipscomb's account is thoroughly researched and detailed here, getting to the true heart of the matter and Henry's intentions for this final document as he lay dying. I appreciate that, in the course of this investigation, Lipscomb was willing to go against some other heavyweight historians (which she fully is in her own right as well, just so that is clear; Dr Lipscomb is pretty much bomb.com) and the opinions they hold - which have been accepted as gospel for years. The last will and testament of this tyrant of a king is such an important document in history, and especially of course to the Tudorphiles who will endlessly and happily debate every last detail possible. I am one of those people, so books like this are absolutely my favorite. So much has been written on the subject of the Tudors in general, so these kind of micro-histories in the broader scope of the dynasty are wonderful.

Basically, there are many theories about several aspects of this document. In it we are given pretty straight forward orders - Henry confirms the succession of those who should come after him, Edward, then Mary, then Elizabeth. Beyond his own children, Henry then set up the future rulers to be of the Grey and Suffolk branches of the family tree, completely excluding his sister Margaret's progeny in favor of Mary's line. We all know how that works out in the end though, don't we? The Greys get pushed to the front, Jane loses her head for a throne she never wanted, and then in the end James VI of Scotland adds the title of James I of England to his name and never returns to Edinburgh again So much for Henry barring the descendants of Margaret from the throne, eh? Henry also specifies who is to get which of his possessions, all given to his most trusted servants - you know, those who survived his mercurial temper and whims.

There is much debate, however, about the authenticity of the document as we know it today. The will was read out in Henry's final hours, then stamped and sealed. But there are many who believe that Henry's words have been misinterpreted, forged, and/or that the document is invalid for a variety of reasons. Lipscomb dives right into this debate headfirst, armed with a plethora of primary sources. In addition to the will itself, she makes great use of the records from privy council meetings and letters written by various important players. In doing so, Lipscomb makes a solid case for dismissing many of the rumors that have persisted for years that the will was altered after Henry's death, or even beforehand, and then stamped with his signature. Given the evidence collected from those primary sources, I feel that Lipscomb is correct in her conclusion and that this is the document Henry intended it to be. Controlling to the last, it is interesting to see what provisions Henry assumed would ensure that everything would be carried out the way that way he specified. Spoiler Alert: didn't happen.

I feel like I need to go back and talk about the cover some more, as well as the artwork within the pages. I absolutely love manuscripts dating back to medieval times and the Renaissance. The colors are so vibrant and the detail is sometimes breathtaking. The "font", as we would call it today, is equally as beautiful and it all fit together in quite a lovely way. There are several plates included, reproductions of original works from the period that add such a historic feel. Even the pages are different, much more closely related to parchment than we typically find in books printed today. Not only did the content pull me back nearly 500 years, but these aesthetic elements did as well.

In addition to delving into Henry's final years, months, and days, Lipscomb has produced the will in question, in its entirety. This is presented in Appendix I and was such an important piece to include. I find historical documents from this period interesting anyway, but to be reading Henry's will was something else altogether. Imagine being able to look at the actual thing, instead of a manufactured copy. That would really be something.

This beautiful little gem is a must-read for Tudorphiles, 100%. Highly recommended.

8 comments:

  1. The artwork on the cover is totally stunning! I want to own it just for that! I need to get reading a few more of my Tudor non fiction books and I might just find a place for this one!

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    1. I was super lucky and found it brand new in a display at Half Price Books (right next to a book by Dan Jones that I did not have either, as it was only published in the UK as far as I could find...yet it found its way here to me in the middle of the whole country...) Normally I sell back books to HPB once I finish them but this one is just so gorgeous, I might have to keep it.

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  2. Sounds like a valuable addition to all the Tudor stuff.

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    1. Very much so. And Dr Lipscomb is very talented. Definitely a must-read for a Tudor enthusiast.

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  3. Nice. I don't know a lot about Henry, I'm certainly not an expert in his affairs, but this sounds super interesting and to see the will recreated like that- would be FASCINATING to read, I would think. Plus it sounds like Lipscomb has researched the material thoroughly.

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    1. By the end of his life, no one was an expert in any of his affairs! Part of what made everything so complicated had to do with the fact that he kept getting married, divorced, and executing people (not just wives, even). It all makes for a very complicated mess when trying to determine who gets what and all that had to have been such a nightmare.

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  4. I love this cover too. I don't apologise for getting distracted by a good cover; authors and publishers work very hard to catch our interest that way.

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    1. I could not stop staring at it when I first brought it home. The inside illustrations are just as gorgeous. I try not to judge books based on their covers but I can't help it; luckily I judged this one right!

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